Online Preliminary Submission by December 1, 2018
Preliminary submission is by audio or video (video preferred)
Two contrasting movements from a standard solo work (such as a Bach sonata), or one standard work with contrasting sections such as a Paris Conservatory concours piece, preferably recorded with accompaniment
Two complete contrasting movements from a Mozart concerto (accompaniment required.) Cadenzas are not necessary but may be played if desired.
One contrasting work of your choice
Several orchestral excerpts to be chosen from
Brahms: Symphony No. 4 last movement, mm. 93 - 105
Debussy: Prelude to the¬†Afternoon of a Faun, mm. 1 - 4 and mm. 21- 30¬†
Hindemith: Symphonic Metamorphisis, solo from movement III
St. Sa√ęns:¬†Voli√®re¬†from Carnival of the Animals
Stavinsky: Variation from¬†The Firebird
If you have not heard from us by January 4 , 2019, please email us.
Required graduate live audition repertoire¬†
At least one of the 4 works below should be from memory, excluding the Orchestral Excerpts.
Two contrasting movements from either the Bach Partita in A Minor, BWV 1013 or one of the following Bach sonatas: B Minor, A Major, E Minor or E Major
First and second movement expositions from the Mozart Concerto in G Major, KV 313
Two other works representing two different styles from the standard repertoire
Brahms: Symphony No. 4¬†last movement, mm. 93 - 105
Debussy: Prelude to the Afternoon of a Faun, mm. 1- 4 and mm. 21-30
Hindemith: Symphonic Metamorphosis, solo from movt. III
St. Sa√ęns: Voli√®re from Carnival of the Animals
Stravinsky: Variation from The Firebird
A pianist is not required for the audition.
Live auditions will be held January 25, 28 and February 1, 2019.
Any questions regarding your application can be directed to¬†Phyllis Smith.